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Tinctoris, Johannes, Opera theoretica, ed. Albert Seay, 2 vols. plus vol. iia (Corpus scriptorum de musica, 22; n. p., 1975; vol. iia, Neuhausen-Stuttgart, 1978).

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Tinctoris, Johannes, Proportions in Music [= Proportionale musices], trans. Albert Seay (Colorado College Music Press Translations, 10; Colorado Springs, 1979).

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Trithemius 1495

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Le notazioni della polifonia vocale dei secoli IX–XVII. Antologia – parte seconda, ed. Maria Caraci Vela, Daniele Sabaino and Stefano Aresi (Pisa, forthcoming).

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Wegman, Rob C., ‘Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and “Authenticity”’, Early Music, 23 (1995), 298–312.

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Wegman, Rob C., ‘From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450–1500’, Journal of the American Musicological Society, 49 (1996), 409–79.

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Wegman, Rob C., ‘Mensural Intertextuality in the Sacred Music of Antoine Busnoys’, in Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, ed. P. Higgins (Oxford, 1999), 175–214.

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Wegman, Rob C., ‘Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music’, Journal of the American Musicological Society, 53 (2000), 461–505.

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Wegman, Rob C., ‘Johannes Tinctoris and the “New Art”’, Music & Letters, 84 (2003), 171–88.

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Wegman, Rob C., ‘Tinctoris’s Magnum opus’, in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. M. Jennifer Bloxham, Gioia Filocamo, and Leofranc Holford-Strevens, Collection ‘Épitome musical’ (Turnhout, 2009), 771–82.

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Weinmann, Karl (with Wilhelm Fischer), Johannes Tinctoris (1445–1511) und sein unbekannter Traktat ‘De inventione et usu musicae’, 2nd edn. (Tutzing, 1961).

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Welch, Evelyn S., ‘Sight, Sound and Ceremony in the Chapel of Galeazzo Maria Sforza’, Early Music History, 12 (1993), 151–90.

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Woodley, Ronald, ‘Iohannes Tinctoris: A Review of the Documentary Biographical Evidence’, Journal of the American Musicological Society, 34 (1981), 217–48.

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Woodley, Ronald, ‘The Printing and Scope of Tinctoris’s Fragmentary Treatise De inventione et usu musice’, Early Music History, 5 (1985), 239–68. An archived text of this article (PDF) is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

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Woodley, Ronald, ‘Renaissance Music Theory as Literature: On Reading the Proportionale Musices of Iohannes Tinctoris’, Renaissance Studies, 1 (1987), 209–20; reprinted in Collins Judd 2013, 259–70.

Woodley 1988

Woodley, Ronald, ‘Tinctoris’s Italian Translation of the Golden Fleece Statutes: A Text and a (possible) Context’, Early Music History, 8 (1988), 173–205. An archived text of this article (PDF) is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

Woodley 2001a

Woodley, Ronald, ‘Minor Coloration Revisited: Okeghem’s Ma bouche rit and Beyond’, Théorie et analyse musicales 1450–1650: Actes du colloque international Louvain-la-Neuve, 23–25 septembre 1999, ed. Anne-Emmanuelle Ceulemans and Bonnie J. Blackburn (Musicologica Neolovaniensia, Studia 9; Louvain-la-Neuve, 2001), 39–63. The text of this article is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

Woodley 2001b

Woodley, Ronald, ‘Tinctoris, Johannes’, Grove Music Online. Oxford Music Online (Oxford University Press); updated version from New Grove 2001.

<http://www.oxfordmusiconline.com/subscriber/article/grove/music/27990>.

Woodley 2005

Woodley, Ronald, ‘Did Tinctoris Listen to Okeghem? Questions of Textuality and Authority in the Late Fifteenth Century’, paper delivered to the 40th International Congress on Medieval Studies, University of Western Michigan, Kalamazoo (May 2005). The text of this paper is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

Woodley 2006a

Woodley, Ronald, ‘Sharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications’, Music Theory Online, 12/2 (May 2006): downloadable PDF with sound files <http://mto.societymusictheory.org/issues/mto.06.12.2/toc.12.2.html>. The text of this article, with its associated sound files, is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

Woodley 2006b

Woodley, Ronald, review of: Johannes Tinctoris, Diffinitorium musice: Un dizionario di musica per Beatrice d’Aragona, ed. Cecilia Panti (Florence, 2004), in Early Music, 34/3 (August 2006), 479–81.

Woodley 2006c

Woodley, Ronald, ‘At the Limits of Mensural Theory: Tinctoris on Imperfection and Alteration’, paper delivered to the 41st International Congress on Medieval Studies, University of Western Michigan, Kalamazoo (May 2006).The text of this paper is embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project; the paper is largely superseded by Woodley 2013b.

Woodley 2007

Woodley, Ronald, pre-publication online version of Woodley 2011, but containing some additional information and images; embedded in the Stoa Consortium legacy version of the online Tinctoris edition, accessible from the home page of the present project.

Woodley 2009

Woodley, Ronald, ‘Tinctoris and Nivelles: The Obit Evidence’ (2007), Journal of the Alamire Foundation, 1 (2009), 110–21.

Woodley 2011

Woodley, Ronald, ‘Brussels, Bibliothèque Royale, MS II 4147: The Cultivation of Johannes Tinctoris as Music Theorist in the Nineteenth Century’, Ars musica septentrionalis: De l’interprétation du patrimoine musical à l’historiographie (Proceedings of the international conference of the Association Ad Fugam with the University of Paris-Sorbonne (Paris IV): Douai & Cambrai, 24–26 November 2005), ed. Barbara Haggh and Frédéric Billiet, with Claire Chamiyé and Sandrine Dumont (University of Paris-Sorbonne, 2011, 121–58).

Woodley 2013a

Woodley, Ronald, ‘Tinctoris’s Family Origins: Some New Clues’, Journal of the Alamire Foundation, 5/1 ‘Johannes Tinctoris I’ (April 2013: issue guest-edited by Ronald Woodley), 69–93.

Woodley 2013b

Woodley, Ronald, ‘Syncopated Imperfection and Alteration in Tinctoris’s Theoretical Writing’, text embedded in the present online edition (2013); also to be published in Vela et al. forthcoming.

Woodley 2013c

Woodley, Ronald, ‘The Dating and Provenance of Valencia 835: A Suggested Revision’, text embedded in the present online edition (2013).

Zanoncelli 1979

Zanoncelli, Luisa, Sulla estetica di Johannes Tinctoris, con edizione critica, traduzione e commentario del Complexus effectuum musices (Bologna, 1979).

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